Tymisha Harris is a LEGEND herself!

A Cabaret of Legends Review by Andrea Noga

If you need any urging to see this show, thought I doubt you will, let this be it.

In an almost sold-out Westbury theatre, Tymisha Harris (you may know her better as Josephine Baker from a past show) sings the audience through a history of black female music legends who have not always fairly been given their due as legends. Mixing history lessons and smooth vocals, Harris gives a star performance that is both educational and entertaining.

Crafted by Tymisha Harris (performer, co-playwright,) and Michael Marinaccio (co-playwright, director, designer, stage-manager), A Cabaret of Legends is a tour-de-force cabaret. Walking us through the legacy of black women giants in the music industry such as Ella Fitzgerald, Tina Turner, and, of course, Josephine Baker, the songs are as well picked as they are performed. A particularly stunning number was the inclusion of “The Times They Are a-Changin”, written by Bob Dylan and chosen in reference to Josephine Baker. The song, performed in tribute to victims of gun violence, felt incredibly relevant, in addition to being beautifully performed.

From the moment Tymisha Harris came onto the stage, performing a rendition of Rodgers and Hart’s “My Funny Valentine” in reference to Ella Fitzgerald, I knew I was in for a special show. Her voice carried beautifully throughout the theatre, and her charisma made us all fall instantly in love with her. However, what separates this show from other cabarets was the important historical and personal elements. Learning about the phenomenal women Harris sang about, and the struggles they went through without recognition, was as fascinating as her voice. As well, her vulnerability in opening up and sharing her personal experiences with the audience connected us to her. Harris knows how to work an audience, and we never left her side.

You do not need to know about the musical history Harris sings about to enjoy this show, in fact even strong music fans might learn a thing or too. Harris’ love letter to black female artists is poignant, especially now as she relates the music of the past to the politics of the present. Her voice is extraordinary, and she sings to the very back of the room– trust me, there are no bad seats at a Tymisha Harris cabaret. However, the passionate care which went into the creation of this project is really what makes it sing. Check this one out, you will get range, you will get history, you will get phenomenal vocals, and absolutely, you will get your money’s worth.