Blaise Neilson

A potentially interesting core concept of "how do we reconcile the humanity of those we find reprehensible" is buried deep beneath a weak delivery. Playwright and actor Angela Ronaldis clearly has strong feelings on the topic, honed from her years in law, but is held back by an unwillingness to offer any genuine criticism to the point of view she clearly wants to present as right. A one-woman show at this scale isn't easy, and while Rinaldis is to be applauded for her effort, unfortunately, this performance doesn't pass the bar.