Genevieve Vine

The sleek production and impassioned performances of this rendition heighten the mature, uncanny, and playful aspects of the 1998 Diana Son play. Both lead's sharp and emotionally flowering delivery enliven and modernize the narrative, while the cozy set design, impeccable wardrobe, and haunting industrial audio/visual interludes keep the audience grounded in the setting. Stop kiss enraptures as much as it delights. I highly recommend this production, and this team.