First off, thank you Hunter Lafeur. You saved me from the pain of trying to write a review that gives Sadec 65 justice. I can only add my personal reaction. I saw Flora Le perform the show in it’s infancy four years ago at the Nanaimo Fringe. I was engaged with the story, well written and moving, but it felt more like storytelling than a solo performance. I wasn’t planning on seeing it again, but when I ran into Flora she mentioned she’d been working with Guy Kelly on sound design for the show. I said something like “yea, production value can kick it up”. Out of curiosity, I went to see it a again. I knew it would be good but I didn’t think it would be “that good”. Guy Kelly was running tech for the sound and lighting he'd designed beautifully synched with Flora’s performance. A joy to see, they put their hearts in it and it shows.