Beth & Josie: EXPOSED

Beautiful and moving. Highly recommended

Heartfelt and courageous

Powerful stories, powerfully told. You will feel an impact both from the main storytellers and the very vulnerable confessions provided by the audience. It's the kind of show that sneaks up on you like a gut punch in a way that lets you know you are not alone and you are seen

Exposed is a moving and celebratory time at the theatre. Great storytelling from the guests and headliners the night I was there.

I’ll keep it short: Josie/Juice the Trauma Clown is the future of Fringe. See them now so you can say you were there at the start.

I find with shows whose gimmick is audience secrets, often I’m left disappointed because the secrets are boring, the artist doesn’t do anything significant with them, or both. However, I saw that a trauma clown was involved and tend to relly enjoy trauma clown shows so I had to go.

I thought the storytelling was great, at least for the show that I attended (they have different storytellers for different days). I think the weaknesses of the show fell on the audience for submitting secrets that were largely jokey or mundane, rather than buying into the premise and being actually vulnerable. It is a hard thing to push people to do before they even see your show, though. I appreciated the hand in unloveable hand thesis of this show and I would definitely see another show from juice the trauma clown in the future.

I saw this show on the opening night of fringe and I'm still thinking about it 4 days (and several shows) later. The premise is fascinating - the show is hosted by Juice the Trauma Clown, who begins the show by letting the audience know they are safe, they are loved, and that "Everyone is fucked up." Then Josie takes the stage and shares their story - and it's brutal. It's an absolutely gut wrenching account of sexual assault- but told so beautifully (it's weird to say that, but its true. They are an exceptional storyteller) you couldn't help but be riveted. They are followed by storyteller Beth Marshal (I believe the storytellers are different at every show?) who tells a story of an interacial romance discovered by a racist father and the resulting assault. Again - brutal. Stomach turning. But in the hands of a master storyteller, powerful and effective. We hung on every word. The tension and mood are lightened between stories by Juice reading audience shares, and that was a welcome pallet cleanser. Ultimately the message of the show is that we all experience trauma, and that expressing it is healing and necessary. (I bought a Fuck Shame sticker). It's a powerful reminder of how we need community to hold our stories, and that no one should suffer alone. While it's not a "good time I laughed til I cried" kind of show, it's a "sticks with you for days afterward, and the message resonates in powerful ways" kind of show.

The Beauty in Being Flawed Sydney Boisvert

Watching Beth & Josie: EXPOSED felt less like attending a show and more like being welcomed into an intimate circle of truth-telling. Created by Josie Nixon, the piece carried a raw honesty that was both disarming and comforting. It reminded me of the power that storytelling holds when people share their experiences without concealing the rough edges.

What struck me most was the delicate balance between humour and heartbreak. There were moments when the stories dipped into deep pain that felt almost unbearable, and then, suddenly, a burst of laughter would ripple through the room, cutting the tension and reminding us that joy and sorrow often coexist. The humour didn’t diminish the emotional weight; instead, it made it possible to regard the harder truths without feeling overwhelmed. This rhythm of lightness and ache felt human, akin to how we often laugh at funerals or cry in moments of joy.

Josie was a great blend of comedy and vulnerability. She created a space where her raw emotion was seen, and in turn, the audience felt seen. Her willingness to embrace imperfection, both her own and that of others, was refreshing. Rather than striving for a flawless performance, she highlighted the beauty of being flawed, of admitting mistakes, and of recognizing that shame only grows when it’s hidden away. That message lingered with me long after leaving the theatre.

One of the most unexpectedly moving parts was when JUICE the Trauma Clown read aloud anonymous audience confessions. Sitting there, hearing strangers’ secrets spoken out loud, I felt a strange mix of relief and solidarity. Those anonymous words reminded me that we all make choices we regret and carry burdens we’d rather hide. Yet, when those confessions were shared, they lost some of their sting. Instead of feeling like shameful flaws, they became markers of our shared humanity.

The show’s centrepiece, Paducah Cheerleader, was a beautiful and heart-wrenching memoir about interracial dating in rural Kentucky. It wasn’t just about one relationship; it was about identity, community, and the longing to belong. It felt deeply personal yet universally relatable, a reminder that stories rooted in a single life often echo the experiences of many others. What made it even more powerful was Beth Marshall’s performance. She was an excellent storyteller, captivating the audience through her words with a rare mix of vulnerability and strength. Every pause, every shift in tone carried weight, drawing listeners into the quiet pain, tender hope, and courage. By the end, it felt less like watching a performance and more like being invited into someone’s memory, trusted to hold it with care.

By the end, I realized that Beth & Josie: EXPOSED wasn’t only about storytelling; it was about connection. It was about breaking the silence around shame and demonstrating that we are all messier, braver, and more resilient than we give ourselves credit for. I left feeling lighter, as a piece of my own unspoken shame had been witnessed, released and not criticized.