Donna Thiessen

Enchanting with precision. The dancing is beautiful and conveys emotion. The bonus is there is also a story told through film that accompanies the dance segments. Erin demonstrated her versatility donning both high heels and ballet shoes and a mixing the shoes - say what? The music is romantic and familiar. The dancers also incorporated lighted props which added a lively focus. This was the first time I have seen the pair but not the last.

So scary! So revealing. The actor and the writer profile 5 cults and one massive country cult nightmare. The style is lecture interspersed with interpretive (and spontaneous?) dance and expletive stacked outbursts. The material is shocking and repulsive. Who knew that surgery could be an amateur hobby-perhaps still unjustifiable except by a megalomaniac. Reality is the biggest mind - @$&? Of them all.

Penelope is quirky, and lonely, and loving quarantine as a boon to her creativity, which is expressed in joy in Elizabethan culture, particularly dress and sonnet poetic form. The story is easy to follow despite the poetry vibe. I loved Penelope’s enthusiasm and her gradual reveal of the life dilemma. Well acted and fun!